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Infinitely Near by Luca Bray


  • District Gallery Arts Above, 112 West Avenue Quezon City Philippines (map)

Infinitely Near: A Luca Bray Exhibit
 

Luca Bray cannot be contained. From his home in Brescia, Italy he travelled to Mexico and stayed there for six years without even a telephone to communicate with the outside world. Well, he survived another four years there, now with a phone. He then decided to move to New York and then to Australia. He is now in the Philippines after spending time in Shanghai and Cambodia.  

Bray’s world as a young boy was a small village called Orzinuovi. He has since circled the world and his art has made it small, its nooks and corners “Infinitely Near.” 

For his Philippine debut, Bray brought his oil on paper, wood and canvas of gestural abstracts of black and muted blue, orange and gray with calligraphic messages in charcoal and pencil. (I remember how my daughter Maningning has also used gestural strokes for her 44’ x 8’ landmark mural, “Soliloquy.”) His message is one though the forms and contents he presents vary in every country he exhibits – Spanish in Mexico, Chinese characters in Shanghai, and Filipino in the Philippines.  

His paintings breathe zest and energy to life. Within him, he says, is an insatiable desire to wrest a universe within every fragment of his art. He tells a different story in every painting that he does. His favorite, a painting all in black, is entitled “I have no more space in the ocean, I will now try the sky.”

Bray found his calling when at age eleven, he painted a chicken using up all the paint in a tube. He decided right there and then that he would be an artist.  
Four years of basic art from the B. Bembo Art Liceo in Cremona and another four years from Milan’s Brera Fine Arts Academy did not make him a figurative artist, even when he graduated with highest honors and learned the art of great artists like Klimt, Igor and Mondrian. He gravitated towards non-representational, avant garde painting reminiscent of the works of the irreverent Piero Manzoni who, like Bray, came from Soncino, Cremona, and whom he considers the greatest of artists.
Why abstract? “Because I can dream, I can make stories with my fantasy forever evolving.” 
Here comes Bray’s passion, his joie de vivre, his mantra of living every second of his life in the here and now. And his art is a lot like him – whimsical, fragmentary, yet passionate and alive.

BRAY is a recipient of numerous awards. He was a finalist in the International Celeste Prize in New York in 2010 and Aesthetica Award in the United Kingdom in 2014. He was a guest artist at the Swatch Art Peace Hotel in Shanghai and an artist-in-residence at the University of New South Wales in Australia.
He has exhibited worldwide, including the 54th Venice Art Biennale. His works can be found in numerous public collections, including the Jumex Collection in Mexico City and Los Angeles, Antiguo Palacio del Arzobispado Museum, the National Palace Museum, Sinaloa Modern Art Museum, Morelia Contemporary Art Museum, Amparo Museum and the Bancomer Cultural Foundation, all in Mexico, as well as Daniela Chappard Foundation in Venezuela, and the Government of Socino in Italy.
He has also works in private collections in France, Italy, Spain, San Salvador, Venezuela, Japan, Hong Kong, Singapore, Mexico, the United Kingdom, the United Arab Emirates, and Canada as well as the cities of New York, Washington D.C., and Chicago in the United States.


 --Alma Cruz Miclat
  Author, Soul Searchers and Dreamers: Artists’ Profiles
  President, Maningning Miclat Art Foundation, Inc.
 

Earlier Event: June 23
New Refuge // Czar Kristoff